FEBRUARY

Fine Balance by Rohinton Mistry

Pages: 624

In mid-1970s urban India - a chaos of wretchedness on the streets and slogans in the offices - a chain of circumstances tosses four varied individuals together in one small flat. Stubbornly independent Dina, widowed early, takes in Maneck, the college-aged son of a more prosperous childhood friend and, more reluctantly, Ishvar and Om, uncle and nephew tailors fleeing low-caste origins and astonishing hardships. The reader first learns the characters' separate, compelling histories of brief joys and abiding sorrows, then watches as barriers of class, suspicion, and politeness are gradually dissolved. Even more affecting than Mistry's depictions of squalor and grotesque injustice is his study of friendships emerging unexpectedly, naturally. The novel's coda is cruel and heart-wrenching but deeply honest.

JUNE

Cold Comfort Farm by Stella Gibbons

pages: 256

When sensible, sophisticated Flora Poste is orphaned at nineteen, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly-named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last twenty years. But Flora loves nothing better than to organise other people. Armed with common sense and a strong will, she resolves to take each of the family in hand. A hilarious and ruthless parody of rural melodramas and purple prose, Cold Comfort Farm is one of the best-loved comic novels of all time.

AUGUST

The Woman in White by Wilkie Collins

pages: 720

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in Whiteis the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.

NOVEMBER

The End of the Affair by Graham Greene

pages: 176

The love affair between Maurice Bendix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.